2/24/2023 0 Comments Toem art exhibitionSrisakdi Nopparat, compiler, Anusorn ngan sop Phaiboon Suwannakudt, published and handed out at Phaiboon’s Cremation Ceremony presided over as a special occasion by HRH Princess Sirindhorn, 21 March 1983, at Wat Theppol in Talingchan. No Na Paknam, “Phaiboon Suwannakudt”, Lok Sinlapa, 3(1), 1983, 30–40. Lisuwan, Wiboon “Phaiboon Suwannakudt: Phubutberk Ngan Jitrakam Thai Ruam Samai,” Hi Class Magazine, 1993, 10(114): 144–147. Hoskins, John, Ten Contemporary Thai Artists, Bangkok: Graphis, 1984. Gampell, Jennifer, “Like Father, Like Sun”, Manager, 77 (May 1995), 44-46. Texts about or mentioning Phaiboon SuwannakudtĬate, Sandra, Making merit, making art: a Thai temple in Wimbledon, Honolulu: University of Hawai’i Press, 2003.ĭepartment of Fine Arts and various authors, 73 Thai artists from the Silpa Bhirasri School, Bangkok: CON-Tempus, 1992 ![]() Phaiboon Suwannakudt, Sompoi Dok Leung (Yellow petal Sompoi) Laeng Khen: Ruam runag san samai khong Thai, Bangkok: Samnakphim Duangkamon, 1975, a short story collection, which was taken off the shelves and banned from bookshops after the Thanin Kraivichien coup of 8 October 1976. Phaiboon Suwannakudt, Khieuw Muu Paa, in Rong Wongsawan, ed., Kanyayon Nalin, September 1969. The articles were published in Pimthai daily newspaper during the early 1960s. This name is derived from the word for ‘abstract’, where ab means ‘secretly’ or ‘behind the back’, and suttaeg is in dialect a crude word ‘to eat’, equivalent to ‘gobble up’. ![]() Phaiboon Suwannakudt, political commentary articles under the pen name, Nai Absuttaeg. Phaiboon Suwannakudt, ‘Khana anukaamkaan faay jat haa thun khrongkaan phiphithaphan silp phraa sri anusorn “ajaarn silp kap luuk sit”, Krom sayaam kaan phim, BE 2727 (1984), 138-139. He belonged to the first generation of modern-trained Thai artists, and his works, which are a crossover between elite art and popular culture, are a record of their time. Phaiboon was an outsider in the contemporary art world, but was greatly admired and loved by a broad swathe of Thai artists and art connoisseurs for his independence and tenacity. His last commission at the Peninsula Hotel (now Anantara Siam Bangkok Hotel) was completed by his daughter. In 1975, he was diagnosed with kidney failure and died in 1982. He was criticized for adapting the themes and methods of temple murals for commercial art. In the late 1960s, he started painting murals at Wat Theppol in Talingchan, followed by commissions at the Montien Hotel, Dusit Thani Hotel, Phuphing Palace in Chiang Mai, and the Dusit Mahaprasat at Muang Boran (Ancient City). He was married in 1925 and helped raise seven children, but lived a nomadic life, paying little heed to money. He worked as an artist, art teacher, draftsman, dance teacher and art director on movies, besides writing features, short stories and political commentary for newspapers, and painting watercolours for tourists. ![]() He lodged at a wat with the art historian, Prayoon Uluchata (No Na Paknam), and the poet, Angkarn Kalayanapong, who became close friends. Born in 1925, he was schooled in Ubon before moving to Bangkok and studying at Poh-Chang Academy of Arts with Silpa Bhirasri (Corrado Feroci) and then at Silpakorn University. The artist, Phaiboon Suwannakudt, was descended from a renegade Lao prince from Chiang Rung (Jinghong), who founded Ubon Ratchathani.
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